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Making EXS24 Instruments From 3rd Party Sample Libraries in Logic Pro : |
Logic pro x exs24 no edit button free.Logic X and the Missing Edit Button on EXS24 Instruments
How to use EXS24 - the Sampler for Logic Pro X - Logic Fiends.
More than 70 new Drum Machine Designer kits. Over 1, new patches. Original multi-track project of Billie Eilish's "Ocean Eyes. Individual or multiple audio files or software instrument regions can be dragged into an empty track header to provide instant options for creating Sampler, Quick Sampler, Drum Machine Designer, or Alchemy instruments. Multiple additional enhancements and stability improvements. Logic only loads the plug-ins and software instruments needed to play the project, which helps projects open faster.
All-new DeEsser 2 plug-in provides more options to reduce sibilance on audio tracks. The Loop Browser can filter by loop type and allows drag and drop of multiple loops into your project simultaneously. Use the new Pressed filter button in the Key Commands window to see if a key combination already has a command assigned to it.
Improved Performance Improves responsiveness of the Mixer and Event List when working with large sessions. Projects with numerous Flex Time edits and tempo changes perform more efficiently.
Optimizes performance for Mac Pro including support for up to 56 processing threads. This update also contains additional stability and performance improvements.
Increased Number of Tracks and Channels, up to: stereo audio channel strips software instrument channel strips auxiliary channel strips external MIDI tracks 12 sends per channel strip.
Smart Tempo can analyze tempo data across multi-track recordings to define the Project Tempo. Imported multi-track stems can follow or define Project Tempo. Alchemy provides drag and drop hot zones that let you select re-synthesis and sampling options while importing audio. Alchemy allows numerical editing of parameter values. Dragging one automation point over another now aligns them vertically.
Automatic Slurs can be applied to selected notes in the Score Editor. Add a photo to track or project notes to help remember key session details or studio hardware settings. This update also contains numerous stability and performance improvements.
Auto Sampler lets you save hours by easily creating fully playable sampler instruments from hardware instruments, other software instruments, and effect plug-ins. This powerful but easy-to-use plug-in creates synthesized drum sounds.
Choose from a diverse collection of drum models and shape their sound with up to eight simple controls. Drum Synth is also directly integrated into the bottom of the Drum Machine Designer interface — giving you a focused set of sound-shaping controls.
Redesigned to be more intuitive and integrated, Drum Machine Designer lets you effortlessly build electronic drum kits. Apply individual effects and plug-ins on each discrete drum pad to experiment with sound design and beat-making in new ways. Each pad normally plays a single note, but if you open the track stack and select any subtrack, you can play all of the pitches of a single sound to create bass lines or melodic parts. You can also create a unique layered sound by assigning the same trigger note to two different pads.
Open Drum Kit Designer and select a kit. You can swap pieces to build a custom kit, choosing from a diverse variety of snares, kicks, toms, hi-hats, and cymbals. Finesse the sound of each drum by adjusting the tuning, dampening, and gain. And enable stereo or mono room and overhead mics. Each kit comes with its own unique mix designed by an industry hitmaker. Choose a more elaborate Producer Kit and it loads with a Patch that gives you access to the full multichannel mix, along with all the processing and routing the producer used.
Once you see how the pros get their signature sounds, you can go with their techniques — or tweak away. Watch the drum kit designer demo.
Alchemy, the ultimate sample-manipulation synthesizer, is the most powerful instrument in Logic Pro. Powerful Performance Controls invite you to explore and play with the sounds you choose. Alchemy is a monster of a synth with multiple sound-generating engines, including additive, spectral, formant, granular, and virtual analog.
Groundbreaking morphing and resynthesis features let you manipulate and combine samples in extraordinary ways. And the vast number of filters, modulation routes, arpeggiation options, and effects makes for limitless possibilities.
Short Plucky Synth uses the Transform Pad to instantly jump or slowly morph between variations of the original sound. Luscious Arp Layers uses multiple arpeggiators on different virtual analog sources within a single instrument to produce complex musical patterns. This clip features Brassy Jazz Ensemble, a stack of additive synth brass mixed with sampled analog synth strings. Multiple arpeggiators drive a variety of sample sounds and synthesis techniques, including virtual analog and additive, via modulation.
These two realistic plug-in instruments feature sophisticated articulation controls. They allow for the nuanced gestures a human performer would make when playing solo or ensemble string and brass instruments. A versatile synthesizer that delivers sounds ranging from classic analog to modern digital.
The synthesis engine features three analog-modeled and wavetable oscillators, as well as dual multimode analog resonant filters and extensive modulation options.
Go for analog tones like earthshaking bass, textures, screaming leads, sweeping pads, and sawtooth waves. Or use distinctive digital sounds like bells, plucky bass, and brash leads. Play authentically re-created models of the Hammond B3 organ, the Mellotron, the Hohner Clavinet D6, and the Fender Rhodes, Wurlitzer, and Hohner electric pianos — with all the character and quirks of the originals. The Arpeggiator transforms simple chords into elaborate performances.
Go with professionally designed presets, or shape the evolving performance by adjusting the rate, note order, and octave range of the notes. And add swing to help the Arpeggiator groove with the feel of your song. Scale velocity, generate a rapid-fire series of notes, transpose incoming notes or conform them to a scale, and more.
Watch the arpeggiator demo. Sculpture is a unique physical modeling instrument that produces tones no other synthesizer can. By re-creating the sound of vibrating materials like wood, glass, nylon, or metal, it generates uncommon and creative variations of strings, bells, chimes, and other instruments. You can change the virtual body of the instrument to everything from guitar to cello, flute, and more.
Control how the instrument is plucked, bowed, or otherwise played. A deep set of modulation parameters produce movement and evolving textures. Use plug-ins to help you perfect or manipulate the color and personality of your tracks. Bring DJ-style effects and transitions to your tracks with a collection of stutters, echoes, filters, vinyl scratches and stops, reverse playback sounds, bit crushes, and gating effects.
When you connect Logic Remote, you can use the power of Multi-Touch to manipulate up to seven effects at once. ChromaVerb is a high-end reverb plug-in that uses unique modeling to reproduce both natural and otherworldly acoustic spaces. It features 14 different models with tempo-synced parameters, up to seconds of decay, and a colorful visual spectrum that provides meaningful feedback so you can see how reverb complements your tracks.
The Vintage EQ collection brings authentic re-creations of three of the most revered analog hardware EQs, with support for mono and stereo and control over analog saturation and heat. Add rhythmic movement to any track by arranging filters, effects, and independent step sequencers to create and control a wide range of treatments over time. This is what it sounds like with the Vocal.
Now I can add in a second Vocal Sample. This one is in the key of E, so after I drag it in, I do the same thing as above, and change the key from C3 to E3. You can see in the image above, the blue strip for the 2nd sample is from F3 all the way to the last note on the keyboard. Another way to edit the zone range is to drag the blue strip to the notes ranges you want covered.
Now when I play the pattern, the notes for E3 and below will play the first sample, and the notes for F3 and above will play the 2nd sample. You can run the sample as a loop, and adjust the start and end time. This is useful if you have a sample with a long tail of silence or reverb that you want to cut off. Or perhaps the vocal sample is a whole line, and you just want to pull out one word from it.
First click the looping icon yellow button above with circular arrows as this will make it much easier to hear what you are editing. Just click in the window and drag to select a start and end point. Then click the speaker icon next to the loop button to play the edited sample. Once you are happy with it. You can use the hand tool to grab the highlighted range and drag it left or right to fine tune it.
Note: You can also drag and drop audio files directly from the Finder onto this window to create instruments. Quick and easy, but not quite as organized and controlled of a set-up in my opinion, which is generally preferred when creating instruments for your personal library. A familiar looking Finder window will appear, allowing us to navigate to the samples audio clips on our computer or hard drive we would like to load up. The root note of the sample, followed by the incidental sharps and flats and then the octave represented by a number.
A file named G 5, will be placed on the G key in the fifth octave on your keyboard, and so on. The sampler editor window gives us a host of different options on how EXS24 treats each sample in our newly formed instrument.
Along the top of the list you see a series of options including tuning, volume, pan, key range, pitched 1Shot, Reverse and more. Many of which are self explanatory, for example, Reverse will indeed reverse the sample, playing it back to front when it gets triggered. Key Range will determine which key or range of keys that particular sample gets played back from. We can choose to extrapolate the pitch of a particular instrument by dragging the right or left corner of the samples here.
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